The Naked Now Scaricare Film [TOP]
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NCC-640 must have been the registry of the USS Copernicus, briefly seen in "Star Trek IV: The Voyage Home" then. After this appearance in the fourth Star Trek film, the model wasn't used until "The Naked Now".
She went on to appear in a few films, including "It's a Disaster" (2012) and "Doggie B" (2013). But much of her success came from her tech web series "The Valley Girl Show," which she hosted, wrote, and produced alongside Jonathan Polenz.
The Naked Prey is a 1965 American adventure film produced and directed by Cornel Wilde, who also stars in the lead role. Set in the South African veldt, the film's plot centers around a safari guide trying to survive in the veldt's harsh environment, while trying to avoid death at the hands of vengeful African warriors. The story is loosely based on the experiences of American explorer John Colter. The acclaimed screenplay earned writers Clint Johnson and Don Peters an Academy Award nomination for Best Original Screenplay.
The film premiered at the 1965 San Sebastián International Film Festival, then was released in the United States on March 23, 1966. Made on a scant budget of less than $700,000, the film was shot entirely on location in southern Africa.
The guide is spared until the last. He is stripped naked and then an arrow is fired into the air. The guide is ordered at the point of a spear to run; he runs and once he passes the fallen arrow, he is chased by another warrior in waiting. His pursuer throws a spear at him and misses, which the guide uses to kill his pursuer. Afterwards, he takes the warrior's supplies and evades his captors. The Warriors, grief-stricken about their dead friend, argue about continuing the hunt. The guide flees, and some of them continue the pursuit.
The Naked Prey was filmed on location in Southern Africa.[a] The film's screenplay was only nine pages long. The film's opening titles were accompanied by paintings illustrated by local artist Andrew Motjuoadi.
The minimal dialog, richly realized African settings, and emphasis on making "the chase (and violent combat along the way) a subject unto itself, rather than the climax to a conventional story" distinguish Naked Prey as an innovative and influential adventure film. However, although it is considered a small classic today, it received mixed reviews at the time of its release. Robert Alden of The New York Times, reacting to the brutality of some of the early scenes, dismissed the film as "poor and tasteless motion-picture entertainment", but did acknowledge its "authentic African setting" and "effective use of tribal drums and native music." Roger Ebert of Chicago Sun-Times, taking a different tack, called The Naked Prey "pure fantasy" of the "great white hunter" variety, adding: "Sure, it's nice to think you could outrun half a dozen hand-picked African warriors simply because you'd been to college and read Thoreau, but the truth is they'd nail you before you got across the river and into the trees."
Other reviewers, however, were more enthusiastic. In Time, the film was described as "a classic, single-minded epic of survival with no time out for fainthearted blondes or false heroics" where "natives are not the usual faceless blacks but human beings whose capacity for violence the hero quickly matches." Variety reviewer praised the documentary-style use of nature photography to show "the pattern of repose, pursuit, sudden death and then repose" that characterizes the entire chase.
Retrospectively, the film's reception has grown better. On Rotten Tomatoes, the film holds an approval rating of 86%, based on 14 reviews, with an average rating of 6.93/10. Metacritic gave the film a 64 out of 100 rating, indicating "generally favorable reviews, based on 12 reviews. In July 2016, Matthew Thrift of the British Film Institute named the film among the 10 greatest "chase films" and praised its "lush widescreen lensing" that "captures all the natural beauty and brutality of the African savannah".
The soundtrack consists of African tribal chants, natural sounds, and occasional dialogue, in English and otherwise. There are no subtitles, and incidental music is mostly absent. It features Nguni tribal songs specifically recorded for the film. A vinyl LP The Naked Prey was released in 1966 on Folkways Records. It was re-released as Cornel Wilde's The Naked Prey in CD form on Latitude/Locust Music in 2004.
As teenagers, Joel and Ethan Coen shot their own version of The Naked Prey on a Super 8 film camera. They called it Zeimers in Zambia and cast neighbor Mark Zimering in the lead role.
In the first scene of the Mad Men season 5 episode "Far Away Places," Abe coaxes a distracted and reluctant Peggy to go see the film with him. His pitch: "You're resisting a chance to see Cornel Wilde naked? I heard he wrestles a boa constrictor. Sounds pretty dirty."
The Naked and Famous took their name from English musician Tricky's song "Tricky Kid", which expressed ambivalence about the notion of celebrity. In the song, Tricky quotes the line "everybody wants to be naked and famous", from The Presidents of the United States of America's song "Naked and Famous".
Images of child pornography are not protected under First Amendment rights, and are illegal contraband under federal law. Section 2256 of Title 18, United States Code, defines child pornography as any visual depiction of sexually explicit conduct involving a minor (someone under 18 years of age). Visual depictions include photographs, videos, digital or computer generated images indistinguishable from an actual minor, and images created, adapted, or modified, but appear to depict an identifiable, actual minor. Undeveloped film, undeveloped videotape, and electronically stored data that can be converted into a visual image of child pornography are also deemed illegal visual depictions under federal law.
Notably, the legal definition of sexually explicit conduct does not require that an image depict a child engaging in sexual activity. A picture of a naked child may constitute illegal child pornography if it is sufficiently sexually suggestive. Additionally, the age of consent for sexual activity in a given state is irrelevant; any depiction of a minor under 18 years of age engaging in sexually explicit conduct is illegal.
This photograph of model Christine Keeler posed naked astride a modern plywood chair is an iconic image of the 1960s. It was taken in May 1963, at the height of public attention surrounding the relationship between the teenage Keeler and married politician John Profumo, then Secretary of State for War. In what became known as 'The Profumo Affair', the revelations of their relationship scandalised the Conservative government and the British establishment, causing Profumo to resign from office and bringing notoriety to Keeler.
The photo was the last shot on a 12-exposure film, taken in less than five minutes by Lewis Morley during a nude publicity shoot (intended to promote a proposed film about the scandal, The Keeler Affair). While the film was never actually released, Morley's photograph was leaked to the Sunday Mirror. Despite being taken at a time of increased sexual freedom and women's liberation, the image raises questions about exploitation. The chair, a cheap model Morley used to put his sitters at ease, was in this instance used to conceal Keeler's nakedness. Both the chair and the photograph are now in the V&A's collection.
This photograph was one of a series of publicity shots for an intended film which never saw the light of day. It was not until 1989 that a film of the 1963 happenings was released under the title 'Scandal'. The photographic session took place in my studio, which at that time was on the first floor of the 'Establishment', a satirical night club, part-owned by Peter Cook of Beyond The Fringe fame. The satirical sketches took place on a small stage on the ground floor of the club. The Dudley Moore Trio played Jazz in the basement.
During the session, three rolls of 120 film were shot. The first two rolls had Christine sitting in various positions on the chair and on the floor, dressed in a small leather jerkin. It was at this point that the film producers who were in attendance demanded she strip for some nude photos. Christine was reluctant to do so, but the producers insisted, saying that it was written in her contract. The situation became rather tense and reached an impasse. I suggested that everyone, including my assistant, leave the studio. I turned my back to Christine, telling her to disrobe, sit back to front on the chair. She was now nude, fulfilling the conditions of the contract, but was at the same time hidden.
We repeated some of the poses used on the previous two rolls of film. I rapidly exposed some fresh positions, some angled from the side and a few slightly looking down. I felt that I had shot enough and took a couple of paces back. Looking up I saw what appeared to be a perfect positioning. I released the shutter one more time, in fact, it was the last exposure on the roll of film.
Looking at the contact sheet, one can see that this image is smaller than the rest because I had stepped back. It was this pose that became the first published and most used image. The nude session had taken less than five minutes to complete. It wasn't until I developed the film that I discovered that somehow I had misfired one shot and there were only eleven images on a twelve exposure film. How this came about is a mystery to me.
The Naked Spur is another fine western put together by the team of Director Anthony Mann and player James Stewart. Spectacular location photography in the Rocky Mountains lend a ring of authenticity to the story.That story being Stewart as a bounty hunter on the trail of outlaw/killer Robert Ryan who has a girl a long with him in the attractive form of Janet Leigh. Getting Ryan proves too much so he has to enlist the aid of prospector Millard Mitchell and army deserter Ralph Meeker. Getting Ryan and Leigh back to collect the reward makes up the bulk of the film. Ryan is one evil, but very sly rogue as he works to turn the men against each other. His is the best performance in a small cast of seasoned performers each of one is fine in his/her part.The final shoot out is a really well done climax of the story. Alliances shift and not everyone is among the living when the film is over. In fact the title of the picture gives a hint of how James Stewart uses a spur in a unique manner against Ryan.For fans of westerns and I think non-western fans will find the drama and interaction among the characters entertaining. 2b1af7f3a8